44 pages 1 hour read

The Game of Silence

Fiction | Novel | Middle Grade | Published in 2005

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Part 4Chapter Summaries & Analyses

Part 4: “Zeegwun (Spring)”

Part 4, Chapter 14 Summary: “Deydey Guides the Black Robe”

Deydey agrees to guide Father Baraga to a distant people. Yellow Kettle is worried about Deydey’s decision to embark on such a long journey The thick layer of ice over the lake breaks, signaling the arrival of the spring season.

Time passes, and when Deydey does not return at the expected time, Yellow Kettle becomes nervous and edgy. Omakayas has a dream in which she “recognize[s] an island where Deydey often stopped to lay tobacco on the shore. He was there, sitting next to a black rock. In his hands, he held his long counting stick and his knife” (209). Omakayas reports her dream to Yellow Kettle and Nokomis. They take her dream seriously and send men out to find Deydey and Father Baraga.

For days, the women wait anxiously for the return of the men. Finally, the men return, with Deydey sneaking up on Yellow Kettle to surprise her. A feast is held to honor the return of Deydey and his rescuers and to honor Omakayas’s visionary gift. Two-Strike Girl is impressed by Omakayas’s ability to save her father through a dream, and this makes Omakayas feel guilty for being jealous of Two Strike Girl’s moose victory. When Angeline thinks that Omakayas is sleeping, she whispers into Omakayas’s ear, requesting a dream about Fishtail. Omakayas wonders if making the journey into the woods to fast would help her to control her dreams and visions.

Part 4, Chapter 15 Summary: “Alone with the Spirits”

Nokomis knows that it is time for Omakayas to go out in the woods and face her spirits. Nokomis explains to Omakayas that she won’t learn how to control her gift, but she will learn why she has her gift. Deydey gives Omakayas his beloved pipe, and Pinch gives her a dreamcatcher; these two presents give Omakayas comfort.

Omakayas goes into the woods alone. She fasts and waits for her spirit. The third day is the hardest, so she takes Nokomis’s advice and climbs a tree. Once she reaches a high branch, a mother bear and her cub walk up to the tree. The bear cub climbs up the tree and sits with Omakayas. They study one another, and Omakayas talks to the bear cub as if he were a person. That night, Omakayas has one of her dream-visions. She sees herself in the future, traveling and moving with her family. There is deep sorrow. But she also sees herself as an elderly woman, with children who look like her.

Part 4, Chapter 16 Summary: “The Return and the Departure”

Fishtail finally returns. Angeline is thrilled to see him, but he reports that many other Ojibwe have died. The white government is expelling the Ojibwe from their land, forcing them “west, into the country of the Bwaanag, away from their gardens, away from their ancestors’ graves, away from their fishing grounds, away from their lodges and cabins and all that made the island home” (234-235). Omakayas is sad, but she and her family are resolved to treasure their past and embrace the challenge of their future. When they are packing up, Yellow Kettle tells Omakayas that her dog, Makataywazi, cannot come. Omakayas sneaks her dog on the trip anyway by wrapping him in her rabbit fur. Fishtail and Angeline get married.

The Break-Apart Girl comes to say goodbye just as their canoes are about to depart. The Break-Apart Girl gives Omakayas a sewn cloth with their names on it. Makataywazi reveals himself when he barks at a village dog. Although the dog makes Bizheens laugh for the first time, it is a sad moment when Omakayas says goodbye to Makataywazi. She asks the Break-Apart Girl to take good care of Makataywazi.

When they leave the lake and enter the river that brings them into Bwaanag territory, Omakayas begins to fear her journey. Nokomis sings gently to make the children play the game of silence, and all of the children understand “that the game of silence was now a game of life and death” (248). Omakayas is moved by the natural beauty around her. She puts her faith in the spirits that help guide and protect her people. Omakayas decides to think of her journey not as an expulsion, but as an adventure.

Part 4 Analysis

In Part 4, the symbolism of spring parallels the opening of a new chapter in Omakayas’s life. In literature, spring is the symbolic setting in which new things can happen, such as births, rebirths, and awakenings. This springtime is especially auspicious for Omakayas, for it is the season in which she comes into her own identity, grows up, and moves away. For this reason, Part 4 focuses almost entirely upon Omakayas’s spiritual development as she starts analyzing her visions more deeply and finally realizes that the power of her visions can save lives. In awe of this fact, she wonders, “Why should the spirits tell her things? She was small […] and ordinary to everybody except Nokomis and Bizheens, and sometimes Old Tallow” (213). In this moment of early doubt, Omakayas proves that although she has come a long way, she is not yet fully ready to embrace her spiritual journey. First, she must learn to value her own gift and be true to herself in order to understand and appreciate her gift. This inner conflict is emphasized by the external conflicts between Omakayas and Two-Strike Girl, who has become a nemesis to Omakayas. Although Omakayas is embarrassed that Two Strike Girl is confident to the point of arrogance, Omakayas herself lacks the necessary confidence to embrace her own unique gifts, and only by completing The Journey toward Self-Reliance will she finally be able to harness her power.

When Omakayas realizes the source of her fear, she overcomes the last of the hurdles standing between her and her coming-of-age experience in the woods. She is hesitant to take the journey into the woods by herself because she is overwhelmed by the idea of accepting new responsibilities. As the narrative states, Omakayas is “afraid of her dreams. She both wanted to know, and didn’t want to know, what they might tell her. Their power frightened her.” (225). At this point in her growth, Omakayas is starting to understand aspects of the adult experience, and although she is nervous to join the adults, she is at least subconsciously aware that her time is coming.

As Omakayas grows into her identity, the tone of the novel shifts from ominous to hopeful. Omakayas’s visions of the future force her to acknowledge her power, and she must learn to accept that she will be the one to help her tribe through turbulent, chaotic times. Because Omakayas knows that her people’s future can still be bright despite their current hardships, she has no choice but to embrace her gift. As the narrative states:

The events occurred so quickly that she couldn’t remember them all, though she’d try time and time again, over the coming year, for the vision she received and the stories she told, the scenes of emotion, good and bad, that she endured, was the story of her life. She had been shown the shape of it. (232)

This remarkable power implies that Omakayas will one day become a leader for her tribe and help them to believe that their future is defined by more than displacement and loss. At the end of the novel, Erdrich celebrates Indigenous fortitude and resilience. In the face of dramatic and deeply unjust change, Omakayas acts as the narrative voice of her people and decides, “You will not leave in hatred. You are stronger than that. […] All the spirits will help you, even the tiniest, your brother. Your heart is good. You are blessed. Go forward into your life” (236). This passage indicates that the Ojibwe people are deeply in tune with their spirituality and can therefore appreciate their lost homes and move forward with gratitude. In turn, the text implies that their positive outlook will be reciprocated by the spirits that protect them. This perspective shows that the Ojibwe tribe will not hold onto hatred; instead, they will rely on their resilience. By emphasizing this moment, Erdrich reveals a layer to the Ojibwe story and history that is often left untold, for she brings forth traditionally marginalized voices and ensures that the novel’s characters heroically transcend their oppression. In this way, Erdrich ends her novel with the powerful statement that oppression, bigotry, racism, and colonization cannot conquer the power of the human spirit.

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